ACADEMIC ARTICLES
The Case of the Questionable Jeffersonian Lafites: Forensic Applications in Detecting Wine Fraud
John Daab
European Police Cooperation on Art Crime: A Comparative Overview
Ludo Block
Polaroids from the Medici Dossier: Continued Sightings on the Market
David W.J. Gill and Christos Tsirogiannis
The Skylight Caper: The Unsolved 1972 Theft of the Montreal Museum of Fine Arts
Catherine Schofield Sezgin
REGULAR COLUMNS
Art Law and Policy
Donn Zaretsky
An Empty Frame: Thinking about Art Crime
“Stealing” Street Art from a Blighted Canvas
Derek Fincham
Lessons from the History of Art Crime
“Mona Lisa Myths: Dispelling the Valfierno Con”
Noah Charney
Context Matters
“The Unresolved Case of the Minneapolis Krater”
David Gill
EDITORIAL ESSAYS
A Different View of Art Crime: An Interview with the Sculptor Nicolas Lobo
Danelle Augustin
Freeze of BBC License Fee Continues Dream of Art Thief Who Stole Goya’s “Portrait of the Duke of Wellington” from the National Gallery in 1961
Noah Charney
The Art Loss Register Recovery Update
Executive Director & General Counsel
Christopher A. Marinello, Esq.
Another look at the 2010 ARCA Conference on the Study of Art Crime: Something for Everyone
Diane Joy Charney
I viaggi dell’Assunta. La protezione del patrimonio artistico veneziano durante i conflitti mondiali
Elena Franchi
REVIEWS
Exhibition Review: Jan Gossaert at the National Gallery, London
23 February-30 May 2011
Noah Charney reviews
Henry Walters and Bernard Berenson: Collector and Connoisseur
Stanley Mazaroff
Giuseppe Panza: Memories of a Collector
Douglas L. Yearwood reviews
Exhibition Review
Mostra Palazzo Farnese
Noah Charney reviews
EXTRAS
Q&A with Peter Watson
Noah Charney
Q&A with Alan Hirsch
Noah Charney
Q&A with the LAPD Art Theft Detail
Catherine Schofield Sezgin
Q&A with the Québec Art Crime Team
Catherine Schofield Sezgin
The Art We Must Protect: Top Ten Must-See Artworks in New York City
Noah Charney
