Academic Articles
Virginia Curry
United States v. Steven George Cooperman
Howard Spiegler
Surviving War & Peace: The Long Road to Recovering the Malevich Paintings
Ann Shaftel
Thangka Painting Techniques: Traditional, Contemporary, & Instantly “Old”
Erik Nemeth
Plunderer & Protector of Cultural Property:
Security-Intelligence Services Shape Strategic Value of Art
Regular Columns
Donn Zaretsky
Art Law & Policy
David Gill
Context Matters: Archaeological & Antiquities Crime
Stevan Layne
Art Security
Derek Fincham
An Empty Frame: Thinking About Art Crime
Noah Charney
Lessons from the History of Art Crime
Editorial Essays
Jonathan Lopez
7/8ths Underwater—Art Fraud
Julie Williams
Museums De-Accessioning Collections
Col. Giovanni Pastore
Defending Art—Excerpt from ARCA’s book “Art & Crime”
Shima Ebrahimi
Art Theft: The Isabella Stewart Gardner Museum Heist &
An Investigation into Title and Statute of Limitations
Reviews
David Gill
Cuno’s “Who Owns Antiquity?” & Waxman’s “Loot”
Andrea Wood
Dolnick’s “The Forger’s Spell” & Lopez’ “The Man Who Made Vermeers”
Virginia Curry
Connor’s “The Art of the Heist” & Boser’s “The Gardner Heist”
David Gill
Nostoi Exhibition in Rome
Andrea Wood
“The Rape of Europa” PBS Documentary
Annotated Literature Reviews
Susan Summerfield Hammerman
Rare Book, Map, and Manuscript Crimes
Mark Durney
Looting & the Illicit Trade in Antiquities
Extras
Interview with Vernon Rapley
Q&A with Lord Colin Renfrew
Noah Charney
The Art That We Protect: Must-See Artworks Around the World
This Issue: “Top Ten Must-See Artworks in The Netherlands”
