ACADEMIC ARTICLES
Issues in Identification and the Authenticity of Artist’s Signatures
Graham Ospreay
Hebborn’s “Van Dyck”: Authenticity and Authorship in the Forgery of an Old Master Drawing
Liz Losch
Art Crime Archives
Bojan Dobovšek, Noah Charney, and Saša Vučko
A Permanent International Art Crime Tribunal?
Judge Arthur Tompkins
Lessons in Looting
Stephanie Goldfarb
Vinlandsaga: The Mystery of the Yale Vinland Map
John Yates
REGULAR COLUMNS
Lessons from the History of Art Crime
“Ten Cost-Effective Steps to Improve Security at Your Museum”
Noah Charney
Context Matters
“Looting in the Balkans”
David Gill
An Empty Frame: Thinking About Art Crime
“Are Police Posters Art?”
Derek Fincham
Art Law and Policy
“Holocaust Era Cases Reviewed”
Donn Zaretsky
Cultural Heritage
“Protection of the Concept and Profiles”
Col. Giovanni Pastore
EDITORIAL ESSAYS
Understanding the Motivations Behind Art Crime
and the Effects of an Institution’s Response
Mark Durney
Cultural Artifacts in Nigeria
Abiodun Johnson Eniyandunni
Financing Terror
Judith Harris
Turkish Archaeological Sites and the Trade of Illegal Antiquities
Catherine Schofield Sezgin
REVIEWS
L’Arma per l’Arte. Antologia di Meraviglie
David Gill reviews
Tesori Invisibili at Castel Sant’Angelo
L’Arma per L’Arte: Antologia di Meraviglie at Castel Sant’Angelo
Nathalie di Sciascio reviews
Whose Culture? The Promise of Museums and the Debate Over Antiquities
David Gill reviews
The Lost Chalice: The Epic Hunt for a Priceless Masterpiece
Douglas L. Yearwood reviews
The Monuments Men:
Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History
James Charney reviews
Provenance
John Kleberg reviews
ARCA War Looting Literature Review
Emily Blyze and Kate Panella
EXTRAS
The Art We Protect
Top Ten Must-See Works of Art in Madrid
Noah Charney
Profile of Chris Marinello, Executive Director & General Counsel, Art Loss Register
Mark Durney
Q&A with Charley Hill
Mark Durney
