ACADEMIC ARTICLES
Revolutionizing Security in the Art World One Photograph at a Time
Lauren Cattey
Art Fraud: Deflecting Prosecutorial Intervention Away from the Defective Art Product
John Daab
The Postwar Fate of Einsatzstab Reichsleiter Rosenberg Archival and Library Plunder, and the Dispersal of ERR Records
Patricia Kennedy Grimsted
Art Restitution of Nazi-era Looted Art: A Growing Force in Art and Law
Jennifer Ann Minton
The Skylight Caper: The Unsolved 1972 Theft of the Montreal Museum of Fine Arts
Catherine Schofield Sezgin
REGULAR COLUMNS
An Empty Frame: Thinking about Art Crime
“Palm Tree Justice for Derelict Guards”
Derek Fincham
Security & Safety Reflections
“Tracking and Tracing of Stolen Art Objects”
Ton Cremers
Context Matters
“Greece and the U.S.: Reviewing Cultural Property Agreements”
David Gill
Lessons from the History of Art Crime
“The Art World Wants to Be Deceived: Issues in Authentication and Inauthentication”
Noah Charney
Art Law and Policy
Donn Zaretsky
EDITORIAL ESSAYS
Connoisseurship All the Way Down:
Art Authentication, Forgery, Fingerprint Identification, Expert Knowledge
Simon A. Cole
On Fakes
Christopher A. Marinello
Response to David Grann’s “The Mark of a Masterpiece,” published in The New Yorker:
From a Legal Perspective
Derek Fincham
The Ethics of Context:
Exploring Assumptions in Discussions about the Looting of Archaeological Sites
Kim Alderman
The Paris Art Theft, May 2010
Catherine Scofield Sezgin
Missing Miniatures from Priceless Illuminated Manuscripts
Patrick Hunt
REVIEWS
Ancient Art Works Recovered by the Guardia di Finanza Exhibition
Stefano Alessandrini reviews
The Billionaire’s Vinegar
James Charney reviews
Priceless
Stolen Masterpiece Tracker
John Kleberg reviews
A Real Van Gogh: How the Art World Struggles with Truth 107
Noah Charney reviews
The Taste of Angels
Art Plunder: The Fate of Works of Art in War and Unrest
Judge Arthur Tompkins reviews
Crimes of the Art World
Art and Crime: Exploring the Dark Side of the Art World
Douglas L. Yearwood reviews
EXTRAS
Q&A with Martin Finkelnberg, Head of the Dutch Art Crime Team
Joni Fincham
Q&A with Paul Brachfeld, Inspector General of the National Archives
and Records Administration
Joni Fincham
Reconstructing the Record of Nazi Cultural Plunder
The Dispersed Archives of the Einsatzstab Reichsleiter Rosenberg (ERR)
A Survey and Preliminary Guide
Patricia Kennedy Grimsted
More than 10,000 Unrestituted Nazi-Looted Art Objects Now Listed on Internet;
Call to Museums, Dealers to Check Holdings
The Art We Must Protect: Top Ten Must-See Artworks in Belgium
Noah Charney
