ACADEMIC ARTICLES
The Role of the Police in the Co-production of Art Security in London
John Kerr
Estimating the Volume of Counterfeit U.S. Currency in Circulation Worldwide: Data and Extrapolation
Ruth Judson and Richard Porter
Getting Governments to Cooperate against Looting: Insights from the American and British Experience
Asif Efrat
Repatriation via the Art Market: A New Type of Recovery, New Trends Coming from China
Johanna Devlin
Planning Revenge: Art Crime and Charles Frederick Goldie
Penelope Jackson
Fingerprinting Objects for the Control of Illegal Trafficking
Dr. W. (Bill) Wei
REGULAR COLUMNS
Context Matters
“Fragmented Pots, Attributions and the Role of the Academic”
David Gill
Lessons from the History of Art Crime
“Counterfeit Money”
Noah Charney
EDITORIAL ESSAYS
“The Lord Byron Forged Letter: Where’s the Questioned Document Analysis (QDE)?”
John Daab
“The Hattusa Sphinx and Turkish Antiquities Repatriation Efforts”
Aaron Haines
“The Sword in the Museum: On Whether La Vallette’s Sword and Dagger, Currently Housed in the Louvre, Should be Returned to Malta”
Mario Buhagiar
REVIEWS
Directed by Andrew Shea
Documentary Film “Portrait of Wally”
Catherine Scofield Sezgin reviews
Edmund de Waal
“The Hare with the Amber Eyes: A Hidden Inheritance”
Catherine Scofield Sezgin reviews
Anne-Marie O’Connor
“The Lady in Gold: Extraordinary Tale of the Klimt Paintings”
Catherine Schofield Sezgin reviews
EXTRAS
Q&A with Joshua Knelman
Noah Charney
Summary of Papers Presented at the ARCA Conference on the Study of Art Crime and Cultural Heritage Protection
