Glossary beginning with E
E
- Endangered heritage
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Any thing or concept considered of aesthetic, historical, scientific or spiritual significance which is in a vulnerable situation and at risk of being destroyed.
Source: International Council of Museums
- Endangered object
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Any cultural object which is in a vulnerable situation and at risk of being destroyed.
Source: International Council of Museums
- Entry into force
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A treaty does not enter into force when it is adopted. Typically, the provisions of the treaty determine the date on which the treaty enters into force, often at a specified time following its ratification or accession by a fixed number of States. For example, the 2001 Convention on the Protection of the Underwater Cultural Heritage entered into force on 2 January 2009, three months after the date of the deposit of the twentieth instrument of ratification, acceptance, approval or accession by a Member State of UNESCO. A treaty enters into force for those States which gave the required consent.
Source: United Nations
- Ethics
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Moral principles that govern a person’s behaviour or the conducting of an activity.
Source: Oxford Dictionaries
- Ex gratia payment
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A payment not legally required, hence made as a favour.
Source: Arthemis, Art-Law Centre, University of Geneva
- Expertise
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It is the report of a professional inspection of an object in order to determine its date, its type, its material, its value and provenance (for example, the authenticity and value of a painting).
In the modern sense, it can also be considered as an indication "in general" of a specific investigation of a technical nature, for evaluation and investigation, however, based on the expertise and professionalism.
Source: International Observatory on Illicit Traffic in Cultural Goods
- Export (of cultural object)
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To send or transport a cultural object abroad, especially for trade or sale.
Source: Encyclopedia
- Export certificate
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Voir "autorisation (d'exportation)"
- Expropriation
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A governmental taking (or modification) of an individual’s rights.
Source: Arthemis; Art-Law Centre, University of Geneva